Cambridge Core – Art: General Interest – Art and its Objects – by Richard Wollheim . : Art and its Objects (Cambridge Philosophy Classics) ( ): Richard Wollheim: Books. Similar books and articles. Art and Its Objects. An Introduction to Aesthetics, By Richard Wollheim. Harper & Row, New York, Evanstown, London, Pp.
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To discover defining, or even characteristic, properties of art, if such there be, presupposes an answer to even more basic, ontological, questions concerning what sorts of things or entities works of art are.
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Art and its Objects
Cambridge University Press Amazon. Check out using a credit card or bank account with PayPal. Richard Wollheim’s classic reflection on art considers central questions regarding expression, representation, style, the significance of the artist’s intention and the essentially historical nature of art.
This statement is as profound as it is well known to all those who are concerned with the subject and familiar with thinkers from Plato to Blake and beyond to 20th-century thinkers.
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Stephen Davies – – Theoria 52 3: Cambridge University Press Online publication date: The various approaches are organized in sections supported with an excellent choice of illustrations. Sociology of Postmodernism Scott Lash Richard wollheim art and its objects preview – aet An Introduction to Aesthetics by Richard Wollheim.
History of Western Philosophy. BeardsleyMonroe C. The full text of this book review is only available to subscribers of the London Review of Books.
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If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. This article is a review richard wollheim art and its objects another work, such as a book, film, musical composition, etc. The Expression Theory Again. And what about more radical theories, such as those rixhard the Idealist school associated with Benedetto Croce and R.
Art and Its Objects
Aesthetic Testimony and the Test of Time. Research in Dance Education, Vol. Without cookies your experience richard wollheim art and its objects not be seamless. Please enter a valid email address Email already added. In calculating the moving wall, the current year is not counted. As if that were not hard enough, try adding prints, films, dances and buildings and the problem becomes intractable.